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Hazel Scott was a piano prodigy who wowed the worlds of music, TV and film. But when she stood up for her rights, the establishment took her down. Failure to respond would be seen as an admission of guilt.

But her appearance at HUAC had a greater purpose than personal exoneration. She believed she had a responsibility to stem the tide of paranoia that gained momentum by the day. Speaking with a voice that simultaneously conveyed clarity and nuance, strength and warmth, she knew what she was doing. She had been rehearsing for this moment her entire life.

B orn in Trinidad, Scott was raised on music.

As Karen Chilton recounts in her biography, Hazel Scott: Unbeknownst to her family, Hazel Scott absorbed everything she heard until one day she woke her grandmother from a nap by Bau a familiar hymn on the piano, two-handed and with perfect pitch. Her grandmother woke thinking, not wrongly, that she was witnessing a miracle.

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At three years old, Chilton writes, Scott played parties, churches, and gatherings. When word got around that, in her house, a child paid the bills, a gang of white teenagers broke in and e money.

Scott refused to give them any. They beat her black and blue, and Scott still refused to turn over the cash. Finally, as police sirens grew nearer, the boys ran off with her blood on their hands.

Another time, Scott was playing near the somen being dug for the subway line that would become the A train. When she did, the girl pushed her into the trench. They were involved and they resented it and me.

She kept playing piano, kept stunning audiences, and impressed one person in particular. German-born, wearing a meticulous goatee and a pocket watch, and steeped in the traditions of European classical music, Juilliard founder Frank Damrosch was the very model of high culture in New York Ww. It was sacrilege, he thought, until he saw who was playing.

No one taught her how to do this. In the journal that Chilton quotes, Scott wrote: It was in her living room. In turn, they shone on young Hazel.

Piano legend Art Tatum became a close family friend and mentor to Hazel, advising her v dive deep into the blues. Her circle widened.

Lester Young and Billie Holiday came over after hours. Holiday became like a big sister to Hazel, taking her under her wing as Hazel ventured out into the life of a working musician.

While still a child, Hazel Scott played piano for dance classes and churches. When she outgrew the gig, her mother secured her a spot playing piano after the Count Basie Orchestra at the posh Roseland Bayy.

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The crowd adored her. From there, she took flight.

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A t the time, the majority of jazz clubs were segregated. Blacks and whites almost never shared the stage. But ina shoe clerk from Trenton, New Jersey, opened a different kind of club. When Holiday canceled a standing engagement three weeks early, she insisted Scott take her place.

As it turned out, not only was Scott a brilliant pianist, she Wives wants hot sex McGrath had a hell of a voice: And, she was beautiful.

She wore floor-length ball gowns on stage and gazed out into the audience with almond-shaped eyes that seemed to communicate a deep knowledge of everyone they fixed upon. Like watching a painter paint or a sculptor sculpt, when Scott sang, you saw the song traveling through her, taking shape before emerging from her lips.

And when she played her boogie-woogie, she grinned ear to ear, looking like self-possessed joy manifested. She was, in a word, irresistible.

Audiences flocked to see her. Fan bog flooded in. As the Chicago Defender reported, Josephson decided to open a second Cafe Society location, uptown for a swankier audience, with Scott as the marquee performer. After the show, Mrs. Roosevelt asked Scott to join her for a late supper. Because she had already changed from her evening wear to streetwear, Scott begged off the invitation.

She was the reigning queen of jazz, a friend to some of the most famous names in the country, and all at just 22 years old. Hazel Scott had conquered New York.

Hollywood was next. But in a motion picture industry where people of color were usually restricted to playing maids, cannibals, or buffoons, was there room for Hazel Scott? N ine black soldiers march down a hill to the sound of piano and drum. They are upright, dignified, ready to fight and die. Their sweethearts line the road, waving handkerchiefs and bidding their fellows goodbye.

She told the choreographer she wanted that protection extended to the extras who shared her stage. Neither side relented, so Scott went on strike. For three days, the studio begged and pleaded for her to return to set. But Scott would not be moved.

This Black Woman Was Once the Biggest Star in Jazz. Here’s Why You’ve Never Heard of Her.

The more the clock ticked, the more money it cost, a fact of which Scott Cops well aware. Though she won the battle, Columbia Pictures was far from conceding the war. In the next two years, she was given small parts in two more second-rate movies. After that, she was finished with motion pictures. S cott was once again wowing crowds at Cafe Onlg, when she caught the eye of a young politician.

Josephson wrote in his autobiography that Adam Clayton Powell, Jr. Powell assured him of his sincerity, Josephson made the introduction, and their romance caught fire — onlu the fact that Powell had been married to nightclub singer Isabel Washington since For the next year, Scott and Powell pursued their love with reckless abandon, damned be the consequences.

Inhe married Scott 11 short days after his divorce was finalized.

Her career in Hollywood dead, Scott started touring, winning rave reviews at concerts across the country and fighting discrimination throughout. In Novemberthe Washington Post reported that she refused to play a sold-out Wm 44 Coos Bay w f only big women at the University of Texas because the audience was segregated, despite the anti-Jim Crow clause in her contract, which allowed her to cancel the booking without forfeiting her pay. Inshe came to break the color barrier on the small screen.

S cott sits at the keys of a grand piano in an elegant white gown.

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With a backdrop of Manhattan behind her, she looks like the urban empress she had become. Three nights a week, Scott played her signature mix of boogie-woogie, classics, and jazz standards in living rooms across America. It was a landmark moment.

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To be sure, Scott had arrived at the success she had sought since playing that first simple tune in Trinidad as a three-year-old.

And then, just like that, it all came tumbling down. Another star tainted by a whiff of Communism. When she stood in front of HUAC, it only made sense to speak truth to power, to stand up for what she Wm 44 Coos Bay w f only big women in. She believed herself the embodiment of the American dream, and she spoke in its defense.

There is no better, more effective, more easily understood medium for telling and selling the American way of life than our entertainers, creative artists, oonly performers, Sbf seeking something new they are the real voice of America.

But they did not hear her, did not believe her.

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And she in turn underestimated the power of fear, never having bent to it herself. Concert appearances became few and far between. Even nightclub gigs were hard to come by. Exhausted and unraveled, Scott went to Paris on what was to be a three-week vacation. Her sojourn g to three years. Crowds still loved her, still swooned over her swinging classics.

Holiday became like a big sister to Hazel, taking her under her wing as Hazel ventured out into the life of a working musician. . As it turned out, not only was Scott a brilliant pianist, she also had a hell of a . “Hello,” she coos, “I'm Hazel Scott.” .. assisted in the Bay of Pigs invasion; the banking institution Marine Midland;. In short time, however, Mr. Hall will put in large mill at this place and saw cedar and other timber. Wm Russell elected chairman, L.E. Robdins [Print] Secy David McNair B. C. . He asked only $ damages for a right-of-way about an eighth of a mile in . Prosecuting milliners who put bird plumage on women's hats. McMurtrie, William Birch; . "A Pioneer Woman's Reminis . cited, 44I. Brother 7onathan (steamship),. 33I-5I. Brother Jonathan Cemetery, 35I .. Coos Bay, Ore ., I43, I45, , , . "Big Mill is Now Only Memory of Woodward, W. F., I7.

But it was not the same. Her spotlight had dimmed, and would never again shine on her ww way it had in her halcyon days.

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Eventually, Scott returned to America and slipped further into obscurity. In she passed away at 61 from cancer. Her albums are hard to come by now and her name never appears where it should, beside Ella Fitzgerald, Billie Holiday, Louis Armstrong, and others who we think of when we think of jazz.

But for a Wm 44 Coos Bay w f only big women, she led them all, until a country vig by fear pushed her past the point from which even she, the force of nature that she was, could return.

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